安东尼·让真执导[继任蝰蛇],凌少安德鲁·卡拉布特里操刀剧本。影片由玛格丽塔·列维耶娃、凌少乔什·哈奈特、钱德勒·里格斯、布鲁斯·邓恩主演,故事聚焦盛行西弗吉尼亚州的处方药事件,讲述三兄妹在父亲去世后,试图逃脱囚禁他们的暴力旋涡,发现在经济落后地区只有贩毒才能得以生存,而这项事业很难戒掉。
安东尼·让真执导[继任蝰蛇],凌少安德鲁·卡拉布特里操刀剧本。影片由玛格丽塔·列维耶娃、凌少乔什·哈奈特、钱德勒·里格斯、布鲁斯·邓恩主演,故事聚焦盛行西弗吉尼亚州的处方药事件,讲述三兄妹在父亲去世后,试图逃脱囚禁他们的暴力旋涡,发现在经济落后地区只有贩毒才能得以生存,而这项事业很难戒掉。
回复 :盛柏年(朱时茂 饰)因送服毒自杀的冯亦楠(傅艺伟 饰)去医院,既超速违章,又耽误了接局长的客人,面对局长的雷霆大怒,盛柏年辞职而去。由于妻子跟外国人跑了,盛又谈了个女友叫乔敏(宋晓英 饰),乔鼓励他另谋出路,于是盛柏年开起了出租车。冯亦楠的父亲冯逸菊送来一张写着“人生若行车,欲速则不达”的条幅,看起来耐人寻味。后来,乔敏也出于难以说清的原因离开了他。盛柏年来到瑞光公司为晁瑞光开车,发现乔与另外一个男人在一起,开车超速追赶,结果又违章被罚,这时冯亦楠含蓄地告诉他,有个同事”喜欢他。晁瑞光因走私犯事被抓,盛的好友小袁也受到牵连......
回复 :提起湘子庙街,老城里的人们都有一个共识——无论你想要什么,都能在这里找到!这是一条神奇的街道,高档与低俗,现代与古老,兴旺街容纳了一切。对于展毅来说,湘子庙就是他的根,对这条街上的一砖一瓦,一店一铺,一人一景,展毅都了如指掌,混得门清,如果把湘子庙比喻成一条河,展毅就是自由游弋于其中的鱼。湘子庙街是展毅的乐园,也是他谋生的地方,他带着小伙计梁英雄开着一辆面包车天天穿梭在老街里为各个商家送货。为人仗义豪爽的展毅身边有着很多一起长大的发小兄弟:修车行打工仔阿彪、房屋中介公司职员蜗牛。虽然大家都混在社会的底层,但却有着一个共同的理想,那就是在大哥展毅的带领下一起创造出一个属于大家的“逛逛湘子庙”商业网站!为了拉来网站的启动资金,展毅和一帮穷兄弟们深知包装的重要性,纷纷利用自己的职务之便:阿彪从修车行里借出好车、蜗牛提供出售中的房子、梁英雄装作助理秘书...
回复 :Tania is an actress, 43. Thore is 15, a misfit in a small village at the northern tip of Germany. At the beginning of winter, Tania escapes from her numb life to the village. They meet. She decides to steal him from his parents.The actress Tania travels from Munich to a village in the north of Germany. The skies are grey, just like the sea and the wintery plains. Her feelings are also covered in a grey veil of mist. Her painful past makes it impossible for this forty-something to feel anything at all.The arrival of the stranger is immediately noticed in the tight-lipped community, but she is hardly welcome. Only the teenager Thore, whose imagination is too much for this no-man’s-land, has contact with her. A fragile band develops between them - attraction, rejection and occasionally sexually charged. Thore reveals a need in Tania, one she didn’t know she had. She decides to ‘steal’ Thore to come to terms with her own loss.Rough is a directing debut filmed with great poise and with a sharp eye for this beautiful yet slightly depressing landscape and the people who inhabit it. The camera first functions as a detached observer, then as an accomplice, always very close to Tania.