该片是英年早逝的美国演员瑞凡·菲尼克斯的未竟遗作:春暖试图通过第二趟蜜月挽救婚姻危机的好莱坞夫妇因汽车抛锚搁浅于荒漠,春暖在这片宛若末日的犹他州不毛之地,一名有着印地安血统的男子独居在核试爆区的小屋,他的妻子曾经因核辐射引发的癌症而丧命。此时,因有了夫妻两人的短暂陪伴,他竟渴望起更亲密的关系,从而渐渐演变成一场情仇血案。导演乔治·斯鲁依泽在片头表示,这部电影就像一张只有两条腿的椅子,剪辑赋予了它第三条腿,虽然第四条腿永远不在了,但椅子依然能够站着。(小易甫字幕组)
该片是英年早逝的美国演员瑞凡·菲尼克斯的未竟遗作:春暖试图通过第二趟蜜月挽救婚姻危机的好莱坞夫妇因汽车抛锚搁浅于荒漠,春暖在这片宛若末日的犹他州不毛之地,一名有着印地安血统的男子独居在核试爆区的小屋,他的妻子曾经因核辐射引发的癌症而丧命。此时,因有了夫妻两人的短暂陪伴,他竟渴望起更亲密的关系,从而渐渐演变成一场情仇血案。导演乔治·斯鲁依泽在片头表示,这部电影就像一张只有两条腿的椅子,剪辑赋予了它第三条腿,虽然第四条腿永远不在了,但椅子依然能够站着。(小易甫字幕组)
回复 :维奥拉和尼古拉正在经历一段艰难的时期。为了克服这一危机,他们决定在尼古拉父母的一间偏远小屋里度过周末。只需在一起几天就可以治愈他们的伤口,但当一个偷偷摸摸的怀疑变成纯粹的疯狂时,一切都会变得更糟。本来应该是一次安静的旅行,却突然陷入了一场致命的噩梦。
回复 :A film on the come back of exorcism in the contemporary world. Our world. Each year a growing number of people call their sense of unease “possession.” In Italy, Europe, worldwide. The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now? This is the story of a meeting between the act of exorcism and everyday life, where the contrasts between the ancient and modern, the religious and profane, are at times disturbing and at others exhilarating. A film not about religion, but about how religion can be experienced.
回复 :丧父的12岁小女孩明月,在暑假里由于怀疑和嫉妒,将妈妈的情人推入水中疑似死亡后,迎来了人生的初潮。但是这一切,在她云淡风轻的应试化暑假日记作业,灿烂童年式的描述中结束了。影片表达的是一个小女孩成长的孤独和羞耻,同时也刻画了人在面对体制时的自我分裂和粉饰太平。《明月的暑期日记》有一种独特的诗意。 大量隐喻符号和主观化音响效果的使用,为电影语言留出了极大的阐释空间。影片用最丰富和敏感的触觉,为观众呈现了一段孤独而羞耻的成长岁月。明月直视镜头的同时也撕裂了伪善的谎言:我们忽视他人的痛苦并不是不知情,而是人性中根深蒂固的冷漠早就决定了,真相对谁而言都是沉重的负担。