剧情简介
时尚“男魔头” 安德烈·莱昂·塔利是美国版《VOGUE》时尚杂志前任总编，西镇这次时尚的聚光灯汇聚到了他身上。本片通过采访与安德烈熟识的诸位设计大师和时尚名人，西镇如Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik，将他的职业生涯乃至人生展现给观众。
西镇警魂第五季
时尚“男魔头” 安德烈·莱昂·塔利是美国版《VOGUE》时尚杂志前任总编，西镇这次时尚的聚光灯汇聚到了他身上。本片通过采访与安德烈熟识的诸位设计大师和时尚名人，西镇如Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik，将他的职业生涯乃至人生展现给观众。
宋子璇
回复 :Neil Young演唱会纪录片
陈雷
回复 :翠绿星是熊猫一族们赖以生存的唯一家园，然而，近日里，这颗本来美丽的星球遭到了大肆破坏，满目疮痍即将走到寿命的尽头。对于糟糕的现状，熊猫国王无计可施只能听天由命，此时，一位名为泰隆（丁研 配音）的王子忽然现身，带来了一张神秘的羊皮卷轴。在羊皮卷上，记载着一个名为“潘达星”的地方，这里被称为熊猫乐园，是熊猫一族不至于灭亡的唯一希望。就这样，英勇的泰隆和弟弟尚光（王亚林 配音）一同踏上了充满危机的旅途。另一边，邪恶而又贪婪的土狼王对熊猫一族恨之入骨，它派出了潘多拉（叶方 配音）、铁锤（唐泽宗 配音）和红影（王雪沁 配音）三名手下，企图将泰隆一行人彻底消灭。
斯琴高丽
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
