剧情简介
医生楚乔发现自己捡回来的尸体，武曲竟是何省长失踪的儿子。可为提高医术，武曲他早已经把尸体开膛剖腹。为证明自己的清白，楚乔只好求助神通广大的小报记者聂冰，试图找到真正的凶手。在侦破的过程中，两人发现凶案线索直指十三红的班主红拂。而这起离奇的谋杀案背后，隐藏的竟是一段丑恶的权色交易！楚乔和聂冰本准备揭穿红拂的真面目，却意外发现她还有一个双胞胎姐妹红线。这对姐妹，一个好似邪恶的魔鬼，一个仿佛善良的天使，究竟谁才是真正的杀人凶手，结果已然浮出水面。
武曲
医生楚乔发现自己捡回来的尸体，武曲竟是何省长失踪的儿子。可为提高医术，武曲他早已经把尸体开膛剖腹。为证明自己的清白，楚乔只好求助神通广大的小报记者聂冰，试图找到真正的凶手。在侦破的过程中，两人发现凶案线索直指十三红的班主红拂。而这起离奇的谋杀案背后，隐藏的竟是一段丑恶的权色交易！楚乔和聂冰本准备揭穿红拂的真面目，却意外发现她还有一个双胞胎姐妹红线。这对姐妹，一个好似邪恶的魔鬼，一个仿佛善良的天使，究竟谁才是真正的杀人凶手，结果已然浮出水面。
回复 :还记得当年凯文柯斯纳在「罗宾汉侠盗王子」中英俊潇洒的扮相吗？本片将带给观众一位同样潇洒，却更"稍傻"的另类侠盗罗宾汉。由身兼编、导、演、作曲等多项才艺的影坛鬼才梅尔布鲁克斯（「 吸血鬼也疯狂 」、「 闪亮的马鞍」）再次发挥他颠覆电影名作的高深功力，将这出脍炙人口的经典英雄传奇，变成一部会让人笑到肚子痛的爆笑歌舞剧。盖瑞艾文斯（「森林王子」）饰演主角罗宾汉，率领受压迫的民众反抗课徵暴税的邪恶诺丁罕郡郡长（罗杰里斯），及妄想篡位的约翰王子（理查路易斯），加上终日盼望摆脱贞操带的玛莉安小姐（艾美雅丝贝克，「 摩登大圣」）、爱喝酒的犹太教士塔克曼（导演梅尔布鲁克斯亲自粉墨登场）、和诺丁罕郡长的半调子灵媒兼奶妈（崔茜邬曼），绝对会让观众对这个耳熟能详的侠盗传奇有一番全新的见解。
回复 :立志成为作家的青年二蛋（霍建华 饰）历时三年，写成唐朝侠客史可进之传奇故事，然而却被出版社社长嘲讽打击。在一千多年才轮回一次的流星雨之夜，失落的二蛋在公园排遣郁闷，突然胸前的家传玉佩灵光乍现，将他带回了一千多年前的唐朝天宝十年中秋夜。二蛋机缘巧合在唐朝成为了史可进（郭品超 饰）的救命恩人，得以入住范阳王府史家，并对史可进的小妹灵芝（景甜 饰）一见倾心。史家世子史可延嫉妒史可进人财俱得，派出杀手杨傲（孙浩 饰）刺杀亲弟，危急关头二蛋再度使用玉佩，将史家兄妹带回现代，杨傲凭借自己的玉佩同样来到了2012年，二蛋与三位身怀绝技的古代人引发连串奇遇，而一个阴谋也逐渐浮出水面……
赵之璧
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
