一個十七歲廢柴少年意外邂逅一個神祕的清潔員正妹,夺宝性格背景完全不一樣的兩個人,展開一場在垃圾堆中發生的奇妙冒險,並互相改變了對方。
一個十七歲廢柴少年意外邂逅一個神祕的清潔員正妹,夺宝性格背景完全不一樣的兩個人,展開一場在垃圾堆中發生的奇妙冒險,並互相改變了對方。
回复 :故事发生在1930年代,当时美国正值经济大萧条,人民精神萎靡不振,堪萨斯市里充满了赌博、卖淫等犯罪活动。欧哈拉的丈夫约翰尼是一个小混混,因为犯了事被当地老大西恩拘禁起来。欧哈拉为了解救丈夫,冒险绑架了当地一位政客的妻子卡洛琳,希望能借此逼迫其政客丈夫利用关系网,促使西恩释放约翰尼。结果在相处过程中,绑架者欧哈拉和被绑架者卡洛琳之间,反倒产生了一些微妙的感情变化。@www.qimiyingshi.net
回复 :女子沈月牙为了救父亲参加秀女,在偶然间得到一个“小叫花子”的帮助,使其在众多美貌与才智都高于自己的秀女中脱颖而出,成功进入京城参加最后的选秀,可是在整个过程中遭遇到了重重危险,竟然都被不可思议的化解了。就在月牙姑娘最危险的时候,小叫花子又出现了。在互透情意的时候小叫花子的真正身份也已经暴露,他们俩的感情结局会怎么样呢,月牙还会不会成功当上五彩金凤?最后,通过小叫花的帮助,沈月牙如愿以偿的当上了太子妃,而真正的太子——小叫花,也向沈月牙公布了身份,这次身份的公布,也使观众了解了之前的假太子剧情的由来。几位不为民办事的大贪官也被依法严惩。月牙和太子终于有情人终成眷属。
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.