清末民初，膝袜系列发丘门传⼈向东在经历⾃家灭门、膝袜系列养⽗被杀的惨痛之后，被迫与英国商⼈合作，寻找传说中藏有起死回⽣之秘的九龙天棺宝藏，以报家仇。然⽽九龙天棺具体位置极其隐秘，向东为寻墓顺利，集结了卸岭门传⼈江童颜、摸⾦门传⼈潘达共同组队。在此过程中，三⼈探墓寻宝，躲避化解重重机关，同时与同样在寻找九龙天棺的军阀霍天豹产⽣冲突。在躲避霍天豹追杀之时，三⼈逐渐放下堤防，同⼼协⼒，终于找到了九龙天棺的真正位置。⽽此时也被霍天豹围困，⽆奈在其胁迫，三⼈合⼒打开墓室，找到真正天棺。在争夺天棺宝藏时，霍天豹追随天棺坠落⽽亡。在墓室崩塌的关键时刻，向东已死的养⽗突然出现......
刘依瑶
回复 :RFA197215‘VOSTF16mmd'après « I cani del Sinaï » de Franco Fortini.
纪利
回复 :A substantial insurance payment could mean either financial salvation or personal ruin for a poor black family.@www.molikan.com
回复 :For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond.Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)
