剧情简介
鬼门关刚开，欲网凌晨零点零分时，欲网台湾最大闹鬼医院-杏林医院里，出现了四位准备寻亲之人。由台南最负盛名的法师与其弟子带队，晓玲与妙如，她们各怀目的，义无反顾踏入医院，曾经在这发生的过往，一一涌上眼前。不料，医院阴气太重，压的四人喘不过气；无法投胎的怨魂纠缠，四人的生死，危在旦夕…
欲网突击
鬼门关刚开，欲网凌晨零点零分时，欲网台湾最大闹鬼医院-杏林医院里，出现了四位准备寻亲之人。由台南最负盛名的法师与其弟子带队，晓玲与妙如，她们各怀目的，义无反顾踏入医院，曾经在这发生的过往，一一涌上眼前。不料，医院阴气太重，压的四人喘不过气；无法投胎的怨魂纠缠，四人的生死，危在旦夕…
回复 :近未来，可怕的丧尸病毒蔓延全球，数以万计的平民遭受感染，许多人失去了生命，许多人化身为嗜血如命的活死人，也有许多人从此得到尴尬的身份。农夫韦德（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）忧心忡忡地开车驶向位于隔离区的医院，他的女儿麦琪（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）不久前被送到这里。麦琪遭到了丧尸的攻击，从而感染病毒。虽然离完全变成丧尸还有一段时间，但是她的悲剧命运似乎就此注定。韦德取得院方的同意，带女儿回到了家中。熟悉的环境和气息，对麦琪来说却平添了几多忧伤与烦恼。她与家人的维系不断，然而那距离正一点点地来开。时间流逝，麦琪身上生的气息不断消逝，死亡的味道与日俱增，她和彼此深爱的亲人终将迎来痛苦的诀别时刻……
回复 :曾获得绘画大奖的青年木股英雄（忍成修吾 饰），却在某天失心发狂，杀死了担任他模特的女友富江（酒井美纪 饰）。木股的朋友秀日和青山巧（妻夫木聪 饰）目睹这一切，并帮忙搬运掩埋尸体。三人相约保守这个秘密，却不知道更为恐怖的事情还未到来。三人在酒吧散心期间，原本应该死去的富江竟离奇地出现在包间内，木股不堪承受巨大的精神压力，旋即于洗手间内自杀。秀日尝试找到富江的尸体，结果却因此变得愈加疯狂。与此同时，富江又频繁周旋青山身边。这个神秘恐怖的女孩将三个男生相继逼向崩溃的边缘……本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
