剧情简介
大学开学第一天，史泰极具表演天赋的王翼虎因为一场闹剧一举成名，史泰并结识了三个好友，网络黑客张悦；电子器材DIY达人李安然；状元血统出身的学霸赵伟，大学生活临近结束之时，为了帮助心目中的女神摆脱追求者徐东宇的纠缠，几人在徐东宇应聘之时设计让其出丑同时失去了很好的一次就职机会，此后积怨多年，毕业多年后，昔日女神的出现打破的四个年轻人平静的生活，为了帮助已为人妇的女神，几人赴汤蹈火毫无怨言，正当胜利在望众人欢喜之时，意外发生了......
史泰龙的传奇
大学开学第一天，史泰极具表演天赋的王翼虎因为一场闹剧一举成名，史泰并结识了三个好友，网络黑客张悦；电子器材DIY达人李安然；状元血统出身的学霸赵伟，大学生活临近结束之时，为了帮助心目中的女神摆脱追求者徐东宇的纠缠，几人在徐东宇应聘之时设计让其出丑同时失去了很好的一次就职机会，此后积怨多年，毕业多年后，昔日女神的出现打破的四个年轻人平静的生活，为了帮助已为人妇的女神，几人赴汤蹈火毫无怨言，正当胜利在望众人欢喜之时，意外发生了......
喜多郎
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
回复 :Syfy原创电视电影（RoadKill）描述一群朋友在爱尔兰乘坐娱乐车来到风景秀美的乡村旅行。他们不小心撞倒一个吉普赛老妇人。老妇人临死前用恶毒的咒语诅咒他们，招来一只巨大无比的食肉猛禽对这群年轻人发动攻击。眼看同伴一个接一个惨死，剩下的人能够逃出生天吗？
回复 :《火星少女队》是由胡啸导演，艾霖、韩东霖、王婷、杨子萱、徐丹、王小熳主演的青春电影。由海南链通科技、武汉链小白影视、光年映画联合出品；光年映画独家宣发的青春励志电影，《火星少女队》定于2020年5月15日爱奇艺独家上线。该片讲诉了刚毕业的女孩夏天有着明星梦想，但却患有严重的镜头恐 惧症，巧合之下，她成为了新女团“火星少女队”的艺人助理， 又在阴差阳错之下顶替了女团队长林岚成为了临时成员登上舞台，最终逆袭成为c位出道的明日之星。 制片人杨子乔 龚偌岚 出品人熊兵兵、宋成钦 影片类型青春、励志、歌舞 出品公司：海南链通科技、武汉链小白影视、浙江咣年印画影业 营销宣传：浙江咣年印画影业 剧情介绍： 刚毕业的女孩夏天正面临毕业期的迷茫，她自小有着登上舞台的明星梦想，却被镜头恐惧症困扰，只要一面对镜头她就会紧张地打嗝。巧合之下，夏天帮助偶像萧然逃脱狗仔队的围堵，为了报答夏天，萧然引荐夏天 成为了公司新女团《火星少女队》的艺人助理。夏天开始了每天跟着火星少女队的女练习生们一 起训练和演出的生活，自己也在过程中努力练习。队长林岚因为舞台事故在舞台考核演出前夕受伤，为了履行对资方四人成团的承诺，经纪人让夏天临时顶替，却没想到她在镜头前打嗝划水的表现引发了网络上巨大的讨论，收获了超高的人气和话题度。为了流量，公司决定让夏天暂时取代林岚，夏天成为了临时练习生，本以为离明星梦想更 近一步的她却遭受到了前所未有的网络暴力、私生饭威胁、自我怀疑等等难题。最终，在粉丝的鼓励、队友的帮助、公司的支持下，夏天重新振作自己，终于站上了属于自己的出道舞台，圆满了自己的梦想。
