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从小喜爱唱歌的白云虹带着自己的梦想来到北京，久久精品在一次租房时恰遇同样怀揣梦想来北京的车远军，久久精品两人因租房发生激烈的争吵，产生了矛盾。却又互不情愿的成为里外屋的邻居。生活的窘迫，现实的无奈，使两人的磨擦愈演愈烈。然而一个“书法家”的闯入使他们逐渐在争吵中互相了解、化解了矛盾，最终成为一对恋人。 白云虹在歌厅唱歌才华被一老板看...
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从小喜爱唱歌的白云虹带着自己的梦想来到北京，久久精品在一次租房时恰遇同样怀揣梦想来北京的车远军，久久精品两人因租房发生激烈的争吵，产生了矛盾。却又互不情愿的成为里外屋的邻居。生活的窘迫，现实的无奈，使两人的磨擦愈演愈烈。然而一个“书法家”的闯入使他们逐渐在争吵中互相了解、化解了矛盾，最终成为一对恋人。 白云虹在歌厅唱歌才华被一老板看...
回复 :抗日战争时期的1943年秋，游击队长李向阳（郭振清）接到牵制日军驻守某县城的松井部队的任务，以达到粉碎日军“扫荡”华北某根据地的阴谋，并保住藏于李庄的粮食。行动时，李向阳与参谋长兵分两路并头进行。李向阳转移粮食时，被地主杨老宗窥见，后者赶去县城向松井（方化）告密，松井闻之大喜，率大部队赶到李庄，但粮食和乡亲已被李向阳安排转移到地道，然而地道终被松井发现。为引诱松井离开李庄，李向阳率队员进县城，炸毁日军弹药列车，并计划在松井撤退时打他个措手不及，但李向阳低估了松井的狡猾，松井半路杀了个“回马枪”折回李庄，残杀了一些不肯说出粮食藏在哪里的乡亲。可是李向阳的神出鬼没松井终没招架住。
回复 :警察李惠明（李修贤 饰）是个玩世不恭的家伙，行为作风很是随意。他甚至会借故跟晨练的女孩相撞趁机占便宜。不过，在抓罪犯方面，他还是尽职尽责，警队的员工都称呼他为大情人，尤其是老警察亚彪（王钟 饰）跟他配合默契。不过，新来的女上司却对他们很是看不惯。有一次，他在餐厅为了素未谋面的女模特安妮（杨雪仪 饰）大打出手。后来，在抓捕罪犯大烟枪的过程中，他再次碰到了上次搭救的安妮，得知她正遭受骚扰。原来她换衣服时被摄影师男友瑞奇偷拍，后者以此威胁逼她就范。为了帮安妮出气同时展开恋情，大情人挺身而出当众教训了男友，由此遭到了对方的嫉恨。后来，在一次办案中，他将借故捣乱的男友送进了精神病院。不想，后者偷偷逃出了精神病院，并开始了凶残的报复行动……
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
