夏如树(郑秀文饰)有一天突然得知父亲(钟镇涛饰)死讯,花样并由此发现原来自己在台北、花样重庆两地各有一个同父异母的妹妹如枝(赖雅妍饰)及如果(李晓峰饰)。来自三个不同地域、性格迥异的三姐妹,在父亲的葬礼上首次碰面,明明陌生却有着血缘的牵绊,同样面对着父母离异的创口与生活的惶惑;如树毅然决定继续经营父亲留下的火锅店,获得重新认识父亲的契机。三姐妹因上一代人的爱恨纠缠,在破碎家庭关系中成长,也因此相遇相知,互相依存,重拾修复关系的勇气,成长创口得以疗愈。
夏如树(郑秀文饰)有一天突然得知父亲(钟镇涛饰)死讯,花样并由此发现原来自己在台北、花样重庆两地各有一个同父异母的妹妹如枝(赖雅妍饰)及如果(李晓峰饰)。来自三个不同地域、性格迥异的三姐妹,在父亲的葬礼上首次碰面,明明陌生却有着血缘的牵绊,同样面对着父母离异的创口与生活的惶惑;如树毅然决定继续经营父亲留下的火锅店,获得重新认识父亲的契机。三姐妹因上一代人的爱恨纠缠,在破碎家庭关系中成长,也因此相遇相知,互相依存,重拾修复关系的勇气,成长创口得以疗愈。
回复 :The story of nobleman-turned-outlaw hero who was crowned king of Scots in the 14th century.
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :大约三百年前的元禄十五年(1702年),第五代将军网吉实行安民政策,百姓生活平稳。年轻的武士青木宗左卫门(冈田准一饰)为了寻找杀父仇人金泽十兵卫(浅野忠信饰)远离家乡,从信州来到了江户。但他剑术差矣,实际上根本无法完成报仇。宗左卫门在一间破旧的小屋中落脚,开了家小私塾糊口度日,宗左卫门对住在对门的美貌寡妇纱枝(宫泽理惠饰)情愫暗生。后来宗左找到了金泽,然而仇人已经放下了杀人的刀,与妻儿过着普通的日子,宗左开始思考复仇究竟意味着什么。另一边,赤穗藩的武士来到这一带潜伏,伺机为含冤切腹的领主报仇。都是为了复仇的他们,会得到什么结局呢?