13岁的艾米（安娜·帕奎因 Anna Paquin 饰）在一场交通事故中失去了母亲，寿司只好被送到与母亲离异多年的父亲（杰夫·丹尼尔斯 Jeff Daniels 饰）身边。父亲经营着一座农场，寿司整日琢磨各种稀奇古怪的发明，面对已经长大的艾米难免不知所措，二人最初的相处生疏而隔阂。艾米收拾好丧母之痛，也努力适应农场生活，一日在一片树丛发现一窝被遗弃的大雁蛋，她小心将它们捧回家里，并成功孵出一窝小雁，但是出于政府野雁不可以家养的规定，艾米必须要令这些小雁放归自然。父亲想出了奇妙的主意帮助艾米，他动手为她制作了一架滑翔机，让她带着小雁学会飞翔，然后在迁徙季节一路护送“雁妈妈”艾米带领小雁们飞向安大略湖，在这个过程中，一对父女的心也开始紧紧连在一起……
陛尼曼
回复 :彬仔（小彬彬 饰）今年7岁了，天生异常顽皮捣蛋的他并不受人欢迎，被他捉弄得团团转的老师同学都拿他没办法。彬仔的父亲十分讨厌这个捣蛋鬼，但他母亲细毛却十分疼爱彬仔。这次，彬仔闯了大祸。他贪玩无意中偷了黑帮的花名册，黑帮找不到名册只好把他绑架了。彬仔的失踪并没有引起其父的注意，他认为一定是彬仔贪玩自己走远了。寻子心切的细毛只好找到去世的姐姐生前的两个男友恶宝（洪金宝 饰）和黄记者（黄百鸣 饰），骗他们说彬仔其实是姐姐和他们所生的儿子，恳求他们四出寻找彬仔。两人忽然成了父亲，儿子还不见了。这一下，一出闹剧上演了。
回复 :在城市的边缘，有一个无人管理的地方,称为第8区。里面鱼龙混杂,三教九流无不在其中,他们干着黄、赌、毒等勾当，看似混乱的社会，却也有着自己的秩序。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
