剧情简介
古印度马拉地帝国夏胡时期，笑拳Bajirao与侧室Mastani的爱情故事。Bajirao在战场上战功显赫并且战无不胜，笑拳本片描述他的历史事迹与他和Mastani的关系。Mastani据说是能歌善舞，懂骑术、用剑的女子，她的能力与美貌被Bajirao重视，甚至冷落了元配Kas hibai。
笑拳怪招
古印度马拉地帝国夏胡时期，笑拳Bajirao与侧室Mastani的爱情故事。Bajirao在战场上战功显赫并且战无不胜，笑拳本片描述他的历史事迹与他和Mastani的关系。Mastani据说是能歌善舞，懂骑术、用剑的女子，她的能力与美貌被Bajirao重视，甚至冷落了元配Kas hibai。
回复 :A heartbroken Christmas-tree salesman returns to New York City hoping to put his past behind him. Living in a trailer and working the night shift, he begins to spiral downwards until the saving of a mysterious woman and some colorful customers rescue him from self-destruction.
回复 :相貌讨喜的青年梁子（梁天 饰）是某服装公司的售货员，其热情尽职的态度受到郭经理（郭达 饰）的表扬，但其心中始终对电影抱有最笃定的热爱。在炸油条的姑娘小晴（马晓晴 饰）的建议下，他和小晴以及有过一面之缘的美丽女孩张玲玲相继前往身份可疑的葛老师（葛优 饰）开办的明星速成班培训。未过多久，机会终于降临了。梁子有幸在谢导演（谢园 饰）的新戏中插上一脚，虽然最终影片中根本没他的镜头和名字，但是他总算朝着梦想更近了一步。在此之后，敢于吃苦的梁子获得了越来越多的机会，慢慢成长为家喻户晓的喜剧明星。个中辛酸与苦乐，只有自己清楚……
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
