KINGDOM购物中心社长朱中元（苏志燮 饰）是个吝啬薄情，精品精于算计的以自我为中心的男人。绰号为“太阳”的太恭实（孔孝真 饰）则是个乐观阳光的女孩，精品历经了一场与死神擦肩的意外后，她开始看见一些谁也看不见的可怕东西——鬼魂。心地善良的她帮助弱小的鬼魂达成心愿，然而像太阳一样发光的她，不被人相信，她在度过一段孤独的日子后，遇到了生命中的主君——朱中元。因为恭实的缘故，朱中元开始接触到各种各样的诡异事件，一直以来只相信自己所见的他，无奈要与恭实并肩对付鬼魂。这出惊悚恐怖、同时又搞笑浪漫的爱情喜剧，就此展开。
眼球先生
回复 :泰拳拳王海正曦於退役之戰力保不敗，慶功後卻為救醉酒女子與人爭執，不久突然身亡。海正藍翻看哥哥正曦的拳賽錄影，發現死因竟跟教練石傲山有關，認定他害死正曦。傲山發展拳館生意，轉型為成功商人，獲電視台著名主播文善言訪問。名媛雷堅為了某種目的，努力在泰拳界中要佔一席位，成為搏擊聯會顧問，遇上傲山產生微妙關係。正藍為還亡兄公道，拜拳王葉迎風為師，並得富家女江家晴及兒時好友石子聰相助，誓要踏上擂台，追擊傲山……
回复 :陆峰撞到老婆出轨，争执中撞破头意外穿越到1998年结婚当天。找回旧爱柳如烟，收工厂买地皮，一步步走上事业巅峰
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
