故事发生在人迹罕至的西伯利亚雅库原始森林之中，春暖谢尔盖（叶甫盖尼·乌尔班斯基 Yevgeni Urbansky 饰）、春暖安德烈（瓦西里·利万诺夫 Vasili Livanov 饰）、丹妮娅（塔吉娅娜·萨莫依洛娃 Tatyana Samojlova 饰）和萨比宁（因诺肯季·斯莫克图诺夫斯基 Innokenti Smoktunovsky 饰）是四名地质勘探队的队员，他们正在此处探索，想要找到珍贵的金刚石矿床。茫茫的原始森林之中，想要找到小小的矿床是何等的困难，四人忙碌数日，却一无所获，纷纷陷入了心灰意冷的情绪之中。然而就在这个节骨眼上，丹妮娅在偶然之中挖到了一块金刚石，这也就以为着，矿床就在不远之处。勘探队绘制了地图准备将其带往总部，此时森林中忽然燃起了熊熊大火，在浓烟和烈焰之中，一行人为了保护地图而付出了惨痛的代价。
回复 :This is a story of lifetime. A story full of spiritual power biography, behind which stays a whole age in the national development of Bulgaria.Reality & Fantasy, 6 May 2006Author: lordsin from BulgariaThis is one of the best movies I've seen. Some may say it has no sense, but if you look closely you'll notice that this movie is a philosophical masterpiece. It shows several scenes of life in the village and then the brilliant Rangel Vulchanov puts reality into a boy's fantasies. The movie jumps from birth to death, from wedding to funeral, from joy to sorrow, from reality to fantasy, from war to peace. There are lots of laughable moments for the comedy fans, and there's drama for the drama fans. You won't forget this movie once you've seen it. It's a true gem! It will give you all you want even more...One of the best Bulgarian movies ever made. Better than all of the French movies altogether!
回复 :某天，久不谋面的老同学相约聚会。聚会在教师文伯（田雨 饰）及其妻子戴戴（代乐乐 饰）的家中举行。小人物吴小江（乔杉 饰）和老婆李楠（霍思燕 饰）、女强人韩笑（马丽 饰）、不出名的编剧贾迪（佟大为 饰）及其新结交的富家女友娇娇（奚梦瑶 饰）相继到来。身为心理医生的戴戴的一番话，让李楠对老公吴小江看手机时鬼鬼祟祟的行为起了疑。之后在众人的提议下，他们决定玩一个游戏：所有人都把手机放在餐桌中央，期间无论哪部手机接到的微信、短信还是电话都必须当众宣读或接听。光鲜靓丽的外表之下，每个人都有着不想被他人知道的秘密。却仅仅以为一部手机，让各自真实的面目大白天下……
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
