电视剧《台商》讲述了一个台商在大陆20年创业悲欢离合与恩怨情仇的故事。1980年代末期，春暖台湾经济陷入低谷，春暖此时正值祖国大陆改革开放，百废待兴。台商江文良看准大陆的发展前途，说服家人与合作伙伴陈荣昌到深圳创业建厂。两人勤恳创业，在深圳闯出一片天下，后来却因为经营理念不同，最终分道扬镳。荣昌设计把文良挤出董事会，文良黯然离开苦心经营的工厂，妻子也因为长期两地分隔感情疏远离他而去，更让他雪上加霜。倔强的文良在叔叔和堂弟的帮助下再次回到深圳二度创业，得到老部下和好友的鼎力相助，困境之中东山再起，他的新公司一跃成为业中翘楚，并与大陆女孩徐雅萍喜结连理。在深圳市优秀企业创业人表彰大会上，文良回望多年奋斗历程，深觉自己已深深植根于这片热土。
回复 :拥有音乐天赋的CODA(指聋人父母所生的健听孩子)少年，通过可疑的乐器店迫降到陌生的空间？！与在那里遇到的年轻人组成乐队后发生的奇幻青春剧。
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
回复 :蒋慰云和颜丙奎这对离异多年的夫妻有一个共同目标，就是让女儿颜悠悠过的幸福。然而，对于颜悠悠来说，父母‘复婚'家庭完整，才是最大的幸福和愿望。酷爱唱歌的颜悠悠结识了音乐制作人丁小川，并在其引荐下，进入音乐公司工作。只是，她和小川的惺惺相惜，却被单恋小川多年的鞠菲所嫉。鞠菲利用一直不同意女儿歌唱的蒋慰云，迫使悠悠离开公司。梦想、亲情、友情的失落令颜悠悠失去了方向，然而，一个弃婴，改变了她和家人的命运。抚养弃婴令悠悠经受了许多非难。为给女儿遮风避雨，蒋颜二人放下彼此间的不满，重聚在同一屋檐下......从未放弃歌唱梦想的她在丁小川的帮助下，终于有从事音乐创作的机会，只是，厄运忽然降临，悠悠发现自己身患绝症。为使父母重获幸福，颜悠悠设计了一个善意且完美的骗局，用所剩无几的生命，终令父母破镜重圆。
