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情节性(性)的无止境贪欲的艾滋病执着、国产以及…!艾滋病研究所工作的金爱、国产大女儿房间里工作的张美洲、心理治疗师的离婚。性爱的大龄青年的sex相关咨询,并给自己的后辈选手爱的催眠治疗并负责。性爱的催眠治疗艾滋病的“爱的关于“冲击性的故事,听…男人吗?“肮脏的人。. .虫”们…应该打扫男说:“那么,他的对手,甚至不愿意的。这样的她,为了治疗离婚。
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情节性(性)的无止境贪欲的艾滋病执着、国产以及…!艾滋病研究所工作的金爱、国产大女儿房间里工作的张美洲、心理治疗师的离婚。性爱的大龄青年的sex相关咨询,并给自己的后辈选手爱的催眠治疗并负责。性爱的催眠治疗艾滋病的“爱的关于“冲击性的故事,听…男人吗?“肮脏的人。. .虫”们…应该打扫男说:“那么,他的对手,甚至不愿意的。这样的她,为了治疗离婚。
回复 :当一群好友坐在一起,话题离不开女人.他们一起分享着自己曾经离奇的艳遇故事.有美丽动人的陪酒小姐...有心机沉重的跳舞女郎...有因为一时好奇而引发的人鬼之恋...也有那奇异的外星爱情.故事情节非常有趣,而且特别搞笑,大家可千万不要错过
回复 :故事讲述乔·博恩瑟饰演的商人和一个有严重暴力倾向的年轻男子关系密切，而这却让整个小镇不安。
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.