芸娘新婚燕尔，超肉其夫却被官兵强行征召从军，超肉芸娘决心冒险寻夫，千辛万苦，差点在途中荒郊遭强奸，最后在乱军中得知夫君经已阵亡，幸得一奇女子香菱相救并在草屋中同住，开始了二女异常亲蜜的女同生活。一天，一个逃兵士刚突然闯进并请求她俩相助，香菱因恨男人而拒之；但芸娘却起了怜惜之心，偷偷将他安置在山中，于是三人的情、爱、恨便一直纠缠不清……此时二女屡遭山中一群男人强暴性扰多次，于是三人合力共计，一举杀减群匪，不料香菱因有同性恋，嫉妒芸娘和士刚甜蜜性爱，因而向王家军告密，来居处缉捕逃兵士刚，芸娘和士刚见状潜逃，途中被香菱杀害，人头落地，芸娘再刺死香菱，孤寂无语问苍天……
陈熙
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
回复 :男主外出多年后回到家里，发现父亲早已不在人世，留下了一个年轻的继母，重回家中的男主很快跟家里的小保姆眉来眼去，惺惺相惜，上演了一场场春宫图，让继母既羡慕又嫉妒，终于，百感寂寞的她向这个儿子伸出了魔爪，而这也招来小保姆的争风吃醋，而男主面对两个女人，应该如何抉择呢....
回复 :乔治失去父亲后在一个冬天来到祖父母家，通过和一只狗狗的相处获得了成长。
