日韩免费视频在线
地区:台湾
  类型:二战
  时间:2025-08-09 00:06:54
剧情简介

日韩It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

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最新评论(585+)

凡言与冥

发表于5分钟前

回复 :一位大学教授获得一个新发现的史前鱼类标本,在检查这个发现的时候,他不小心接触到了它的血液,把自己变成了一个半人半猿的原始人。


中坚份子

发表于2分钟前

回复 :高原的女友移情别恋后给了他一笔巨额分手费,拿着巨款本打算去过品质生活的高原却陷入了一个更大的麻烦。高原死里逃生后最终明白了生活和爱情的真谛。


蔡诗芸

发表于1分钟前

回复 :繁华的国际大都会香港闹市中心,口若悬河的洪家宝(陈百祥 饰)带着傻乎乎的小弟麦交(邵国华 饰)公然行窃,结果路上遭遇妙龄女郎嘉嘉(张艾嘉 饰)举报。虽然两人百般抵赖,但在最后关头漏了马脚,被警察关进监狱。令洪、麦意想不到的是,嘉嘉居然是监狱的辅导官,所谓冤家路窄,洪家宝真是窝了一肚子火。二人所在的牢房狱霸横行,为了逃出对方魔爪,他们不惜羞辱监狱长官。经过一段时间牢狱之灾,二人和狱中认识的伙伴冠仁(胡大为 饰)出狱。谁知他们死性不改,骗吃骗喝再度锒铛入狱,这次又撞上了有着一副好皮囊、爱装警察的小混混荣仔(张国荣 饰)。洪家宝大骂荣仔,意想不到的是荣仔的老姐居然就是洪的仇敌嘉嘉……


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