窗外A team of elite cavers led by 68-year old Bill Stone attempts a months-long expedition to officially make Cheve Cave in Oaxaca, Mexico the world’s deepest cave. A massive logistical undertaking above ground supports the lead team in the depths as they navigate an underground maze of twisting tunnels and dead ends in search of a passage that leads to the bottom of deepest cave on earth.
回复 :以处男身份迎来了30岁，从而获得“可以听到触碰之人心声的魔法”的社畜--安达（赤楚卫二）和公司里既受欢迎又有工作能力的同期--黑泽（町田启太）是一对小情侣。天天约会，顺利安稳地过着社内恋爱的幸福日子，突然安达接到了工作调动的消息。安达对于得到能做想做的工作的机会非常开心，但是却是要调去距离东京1200km的长崎。围绕工作调动的事情，因为互相体谅的心情而错过的安达和黑泽。以及，以远距离恋爱为契机而开始思考二人的未来…。究竟，这段恋情会走向何处呢！？
彭丽丽
回复 :民初功夫片，俞天龙（王羽）是某镇武馆的大弟子，因主持正义教训恶少而与当地恶势力结怨，武馆遭到恶势力请来的一众东洋高手的洗劫，俞天龙幸免于难，但是断了一臂成为残废，他苦练独臂拳法，将各东洋高手一一击毙。王羽在邵氏因《独臂刀》成名，脱离邵氏后继续利用“独臂”的剩余价值，将“刀”改为“拳”，又继续拍摄了三四部和“独臂”有关的电影，《独臂拳王》就是他脱离邵氏后以“独臂”为题材拍摄的一部民初功夫片。影片是王羽在台湾为嘉禾拍摄的，用的演员都是台湾人，其中有曾获得金马最佳男配角的马骥，以及台湾硬派演员田野、薛汉等人，还有本名周新贵的台湾武打明星龙飞以及台湾著名武行山茅、苏真平和谢兴等人，这些人后来又多次与王羽合作。作为一名武打演员，王羽的身手不错，做为导演，王羽在处理武打场面的拍摄也有一定技巧，毕竟他也算是张彻的得意弟子，他比较注意武打场面的气氛渲染和动作设计的新奇，在《独臂拳王》里，他把几段武打戏分别放在武馆、谷仓、茶楼和山谷等不同的地点，除了中国的功夫外也给观众展示了日本空手道、西藏密宗、韩国跆拳道和印度瑜伽等新奇的异域武术种类，同时也承袭了张彻的血腥暴力风格，连场打斗中都非常残忍血腥，既有一对一的单挑，也有数十人的混战，故事一如既往的俗套，但是武打场面精彩，片中有打戏的演员基本上都得到了发挥，尤其是最后和龙飞的山谷决战，更将影片推向了高潮。
连释
回复 :Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.源自：https://iffr.com/en/iffr/2023/films/convenience-story
