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人妖Flora and Victor are fun, modern, caring parents. That is, until they decide to get a divorce, and the perfect job opportunity turns up for them. They now have one problem: custody.
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人妖Flora and Victor are fun, modern, caring parents. That is, until they decide to get a divorce, and the perfect job opportunity turns up for them. They now have one problem: custody.
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回复 :"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in '39 and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film.The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate.The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere.The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry.It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :From the harsh, nomadic life on the tundra to an uncertain future with five children. Four years in the life of a strong and charismatic woman.Life is raw and harsh out in the Arctic tundra, where young Ivanna lives a nomadic life with her five children. A tough and charismatic woman who is put to the test when she has to give up the traditional life of the Nenets people and move to the city. The climate is changing, her reindeers are dying, and her husband, Gena, has turned into an alcoholic because of his job at a gas plant. And even though Ivanna can put both him - and everyone else - in their place with her killer gaze and no-nonsense attitude, she harbours a desire to liberate herself from the violent relationship. Four years in Ivanna’s life have become a formidable film created with an artist’s eye for the material texture of the world where an image of a sleeping child, three fish and a hungry cat almost become a cosmic motif. This is vital, physical film art with an unforgettable woman at its centre. Meanwhile, Ivanna’s letters, which are read aloud by herself, lift her story above the raging of the elements. Director Renato Borrayo Serrano, who was born in Guatemala and lives in Russia, has created a drama about liberation and a melancholy requiem about a bygone way of life.