位于热带雨林部落中的岛屿原住民妇女、日韩与来自马来半岛的时尚设计师，日韩如何因为当地水库建设计画而有了连结？出生于婆罗洲的导演吴康豪（Nova Goh）在2014年于故乡土地健行途中，遇见了森邦村（Kampung Semban）的比达友族（Bidayuh）铜环妇女，决心透过镜头纪录受到现代化衝击下仅存的铜环妇女以及铜环文化。 导演吴康豪（Nova Goh）如何以砂拉越人的角度来看待现代化公共建设与原住民文化消失的衝突？本片主要讲述了自我与他者、传统与现代、东马与西马、岛屿与大陆等多重二元对立视角，更隐含著来自传统文化在面临现代化历程下，除了成为「被凝视的他者」，更可选择藉由「当代艺术」与「时尚创作」等现代化工具，再次塑造自我认同与族群意识的凝聚。
金玉岚
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :以80年代日本某中学为舞台，主角是痴迷于学校营养午餐的老师幸男，影片讲述了他和学生们与营养午餐之间的故事。
回复 :某富豪过世，他将大部分财产捐给各种慈善机构，只给自己专横跋扈的继女凯丽根·克里坦顿（凯西·莫拉蒂 Cathy Moriarty 饰）留下一幢位于缅因州的别墅。这幢名为维普斯大府庄园的别墅拥有很久的历史，如今早已破败不堪，无法住人。凯丽根起初愤怒不已，但她偶然知晓别墅内可能藏着金银财宝，于是和律师帝布斯（Eric Idle 饰）欣然前往。令他们想不到的是，这里竟然还住着4个幽灵。财宝当前，贪心之人想方设法要把幽灵赶走……本片荣获1996年美国科幻与恐怖电影学院青年演员最佳表演奖（克里斯蒂娜·里奇 Christina Ricci）、1996年青年艺术家奖最佳表演（配音）奖（Malachi Pearson）。
