剧情简介
梅尔·吉布森、海豹查理·汉纳姆、海豹艾莎·冈萨雷斯(《极盗车神》)将主演动作惊悚片《瓦尔多》(Waldo)，蒂姆·柯比(《伦敦生活》《副总统》)执导。基于Howard Gould所著小说《Last Looks》，讲述前洛杉矶警探查理·瓦尔多(汉纳姆)名誉扫地，目前作为一个极简主义者生活在树林里。当他重新回到私人侦探的工作岗位上，去调查一位古怪电视明星的妻子被谋杀一案时，他平静的生活戛然而止。该片将于2019年第一季度开拍。
海豹突击队 第二季
梅尔·吉布森、海豹查理·汉纳姆、海豹艾莎·冈萨雷斯(《极盗车神》)将主演动作惊悚片《瓦尔多》(Waldo)，蒂姆·柯比(《伦敦生活》《副总统》)执导。基于Howard Gould所著小说《Last Looks》，讲述前洛杉矶警探查理·瓦尔多(汉纳姆)名誉扫地，目前作为一个极简主义者生活在树林里。当他重新回到私人侦探的工作岗位上，去调查一位古怪电视明星的妻子被谋杀一案时，他平静的生活戛然而止。该片将于2019年第一季度开拍。
金尚贤
回复 :居住在同一个山谷里的一对老年兄弟K和W,因为未说明的原因四十年不曾说过一句话,全靠一条狗传递纸条来交流沟通. 整个山谷并没有多少人居住,但就在全山谷举行的养羊比赛中,K的大公羊以微弱优势获得胜利,W十分不服气,不经意间,他发现K的羊得了瘟疫,于是前去举报,导致包括K和W 家在内的整个山谷的羊都不得不面临被人道主义毁灭的危险.没有了羊,K完全不知道怎么度过漫长的冬季,而受到牵连的W在地窖里悄悄地藏了几只,但这个秘密并没有保守太久......
回复 :影片改编自周浩晖豆瓣高分悬疑小说。以“审判者”自居的神秘杀手Darker公开挑衅警方，接连发出“死亡通知单”，收到之人都会被残忍处决。为查清真相，爆炸案目击者黄少平（古天乐 饰）、天才警察罗飞（张智霖 饰）、专案组组长韩灏（吴镇宇 饰）纷纷入局。Darker究竟是谁？真相不断反转，惊人的秘密逐渐浮出水面……
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
