本季第五季 Masterchef Season 5 (2014)看点：观月《厨艺大师》美国一期综艺节目，观月全美厨师选秀活动。 参赛者几乎来自各行各业，相同的是他们都对烹饪充满热情与希望！《Gordon Ramsay》(http://www.aiyoutv.com)出生于格拉斯哥的戈登·拉姆齐堪称英国乃至世界的顶级厨神，因其在各种名人烹饪节目的粗鲁与严格，以及追求完美的风格，而被媒体称为“地狱厨师”。拉姆齐曾是一名足球运动员，15岁时因膝盖受伤被迫结束运动员生涯。1998年，他开始电视主持生涯，他所主持的各种烹饪节目风靡欧美。如今，他拥有28间餐厅，著有烹饪书籍数十部。
回复 :节目是一档“以青春之名，燃科学之光”的前沿科学思想秀节目。每期邀请一位前沿科学领域背后的顶级科学家，还有一群有脑有颜的硬核青年，他们用眼力、脑力、表达力进行一场科学认知竞演较量，与科学榜样在多维度的科学空间围坐会谈，他们探索前沿科技、解读人文社会，延展科学精神，共同探讨未来中国。
张帝
回复 :每一个竞争激烈的赛季，不论赛道内外，一级方程式赛车选手、领队主管还有车队老板都过着赛车般分秒必争的快节奏生活。 剧集不光展现瞬息万变的赛道竞速，记录可能发生的车祸和意外——「比赛就像是一次次心脏病发作」——也将跟随车手了解他们在大赛前后的艰苦训练，讲述他们与家人和车队之间的故事。
周慧敏
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
