年轻的大卫和朱迪爱上了彼此,穿越成婴但对于他们的父母来说,穿越成婴这段身份悬殊的感情太不合适。为了阻止这段爱情,双方的父母试图将朱迪和大卫分开,不让他们见面。这对大卫并不起效,他点燃了自家的房子,随后被父母送走。这段初恋就此结束了吗?曾经的刻骨铭心是否可以风轻云淡……
年轻的大卫和朱迪爱上了彼此,穿越成婴但对于他们的父母来说,穿越成婴这段身份悬殊的感情太不合适。为了阻止这段爱情,双方的父母试图将朱迪和大卫分开,不让他们见面。这对大卫并不起效,他点燃了自家的房子,随后被父母送走。这段初恋就此结束了吗?曾经的刻骨铭心是否可以风轻云淡……
回复 :There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; Debbie, a single mom, entertains men at the hair salon after hours; her son spends part of the weekend with her ex, a man with a hair-trigger temper. Molly is expecting her first baby and its father acts as if the responsibility is too much for him. Eileen is bitter, complaining about her husband and the dog next door; Bill's a doormat. His West Indian neighbor offers him a drink; her own grown son locks himself in his room most of the time. Will anyone connect during this Guy Fawkes weekend? Written by <jhailey@hotmail.com>
回复 :摄影师志强于一杂志社任职,因工作关系遇上明星范仙并要时常朝夕相对。范仙心灵寂寞,幸得志强时常陪伴左右,二人很快成为知心朋友。某夜二人发生关系后一志强决定追求范仙。但范仙的另一职业是富豪玩伴;志强发现后,黯然离去。范仙友人举办一个摄影展览,志强的作品有幸能够参展。可是展览只着重售卖摄影名家的作品,并无艺术可言,志强满不是味儿……
回复 :第一次世界大戰敲響二十世紀的第一記警鐘,從國際佈局、人文精神到文藝和電影,都深受震撼和啟發。阿貝爾岡斯透過三個人的愛情和友誼,反抗戰爭的風暴,並呈現面對國家和戰爭的思想矛盾,叩問人性和文藝的價值。悲壯的結局,飽含失落與不斷戰勝失落的願望,正是影片不衰的意義。岡斯終生熱衷於敘事和影像實驗,風格今天看來依然前衛先鋒。本片與其後的《拿破崙》(1927)同為岡斯的鉅構,技法多樣而熱情,拓展了電影的藝術語言。