丝瓜手机视频
地区:其他
  类型:偶像
  时间:2025-08-09 00:05:55
剧情简介

2018年5月和6月,丝瓜手机视频Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作,丝瓜手机视频开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作,重新布置罢工、抵抗和劳资纠纷的场景,这些电影可以追溯到20世纪60年代末到70年代末,包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果,并增加了采访,在采访中,导演询问学生他们刚刚表演的场景,关于“阶级”、“工会”和“政治参与”等概念,以及更广泛的社会背景。这是一个简单,但尖锐的设置,让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中,基于从未见过的导演更多类似于老师的提问,以及此时此刻对革命的思考:起义的表现反映了同样的情况。这会导致一个真实的发生吗?In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代,继续对重放从过去跳出来的电影节选的年轻人进行今天的采访,我们的失败描绘了我们当前与政治的关系。我们的失败,还是我们有足够的力量来面对今天的混乱?By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

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明星主演
黄国俊
乔斯史东
王喜
最新评论(462+)

埃利克克莱普顿

发表于6分钟前

回复 :樱花(倍赏千惠子 饰)很久没有哥哥寅次郎(渥美清 饰)的消息了,不禁感到十分的担心,为了寻找哥哥,樱花还特意在报纸上刊登了寻人启事,可是寅次郎根本就不看报,因此错过了妹妹的召唤。在报道神户大地震的电视新闻中,樱花意外的看到了寅次郎的身影,并且得知哥哥成为了当地的救灾英雄。阿泉(后藤久美子 饰)告诉满男(吉冈秀隆 饰)自己即将和一位医生携手步入婚礼的殿堂,对阿泉一往情深的满男无法接受这一噩耗,于是决定在婚礼当日去现场大闹一番。寅次郎和百合(浅丘琉璃子 饰)重逢了,虽然百合对于深陷窘境的寅次郎百般照料,可是寅次郎却再也没有了旧爱重燃的勇气。


坂本隆一

发表于9分钟前

回复 :Alfonso, brutal agent of the Department of Protection of High Personalities, is forced to team up with young inexperienced recruit Walter, fascinated by the world of show biz. This improbable duo is in charge of the protection of Jal-Y, a young R'n'B star threatened by his ex, a criminal on the run.


伊琳

发表于3分钟前

回复 :一场车祸夺去了两个动物学家兄弟的妻子,随后,他们一边迷恋着那个在车祸中失去一条腿的女人,一边用摄影机记录各种动物尸体腐烂的过程。在影片静态的画面中,那些鳄鱼、小狗、天鹅、斑马的尸体一点点地变黑、干瘪、喷出腐水、爬出蛆虫。最终,女人那条剩下的腿也“渐渐死去”、被截除,她在生下一对属于两兄弟的双胞胎之后死去。两兄弟则在镜头前注射毒剂,把自己的尸体作为最后一种研究和展示对象。


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