剧情简介
明朝初年，天天明太祖朱元璋统一天下，天天四海升平，经济繁荣。这时，与朱元璋兄弟相称的沈万三通过开展海外贸易、屯田、开设工厂而积累了大量财富，数年间，沈万三迅速成为资巨万万、田产遍于天下的江南第一富豪。风起云涌，潮起潮落，时过境迁，沈万三已消失在历史的大潮中，但其遗留下的宝藏却惊现于世，各路诸侯蜂拥而至，血雨腥风由此拉开帷幕。以鹏鱼雁、瘸爷为首的江洋大盗与杨过和小龙女为首的盗墓团伙，在凤雅山庄展开了一段埋藏在历史深处的酣战，群雄争霸，任世人戏说品谈……
天天播高清影视手机版
明朝初年，天天明太祖朱元璋统一天下，天天四海升平，经济繁荣。这时，与朱元璋兄弟相称的沈万三通过开展海外贸易、屯田、开设工厂而积累了大量财富，数年间，沈万三迅速成为资巨万万、田产遍于天下的江南第一富豪。风起云涌，潮起潮落，时过境迁，沈万三已消失在历史的大潮中，但其遗留下的宝藏却惊现于世，各路诸侯蜂拥而至，血雨腥风由此拉开帷幕。以鹏鱼雁、瘸爷为首的江洋大盗与杨过和小龙女为首的盗墓团伙，在凤雅山庄展开了一段埋藏在历史深处的酣战，群雄争霸，任世人戏说品谈……
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :由加籍印裔女导演迪帕．梅塔执导，曾获芝加哥国际影展奖。因内容表现在打破传统的 “性禁锢"方面，所以公映时竟触发狂潮，成为众矢之的，导演本人亦遭受恐吓。剧情介绍新德里一个年轻美貌姑娘嫁入中产店主家庭后，因丈夫沉缅于香港功夫，并迷恋于中国艳女而受到冷落。而不育的大嫂亦因丈夫参与 “灵修"倍感寂寞，两人同病相怜遂成闺中好友，并发展成床上鸳鸯。后来东窗事发，迫使两人离家出走。该片在印度来讲，内容较为惹火，但比起香港片，似乎仍显平谈，而且剧情颇为噱头，算不上佳作。不过对女性情欲描写极为细致，有一定的文艺剧情趣味。该片还入选香港 “印度多面睇"十大印度影片。
回复 :在大山里，总有那么一群儿童，站在村口遥望着远方，希望能看到熟悉又陌生的身影，那是他们的亲人，每年只见过几天的在外打工的父母。本片讲述的是一群 留守儿童的故事。
