傳說中園子溫的疾走電影,陀枪虛渡青春的成長曲。廿歲大學生Shiro 和 Keita 靠派報紙維生,陀枪遲了三年仍未能順利畢業。Shiro一心只求拍電影,Keita 開始對未來焦躁起來。首次自導自演的園子溫,扮演浪人 Shiro大多是自身投射,抱著自我尋找的旗幟,在PIA打響名堂,再馳騁柏林和歐亞大小影展,打造出園子溫電影的新風格。(HKAFF09)
傳說中園子溫的疾走電影,陀枪虛渡青春的成長曲。廿歲大學生Shiro 和 Keita 靠派報紙維生,陀枪遲了三年仍未能順利畢業。Shiro一心只求拍電影,Keita 開始對未來焦躁起來。首次自導自演的園子溫,扮演浪人 Shiro大多是自身投射,抱著自我尋找的旗幟,在PIA打響名堂,再馳騁柏林和歐亞大小影展,打造出園子溫電影的新風格。(HKAFF09)
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回复 :1991年法国杜维尔电影节观众奖1991年圣丹斯电影节荧幕特别奖1991年圣保罗国际电影节观众奖高中辍学生玛利亚告诉家人自己怀孕后,父亲倒毙地上,母亲把她踢出家门,男朋友弃她而去。于是她孤零零一个人无家可归。此时她遇上马修。他是个修理电子器械很有天分的高中毕业生,但他有个原则:质量至上,这使得他每份工作都做不长久。当玛利亚接受了马修的帮助,他们便展开一段令彼此发生转变的关系……When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change.
回复 :Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ...“Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.