巴尔朗·哈勒维（阿达什·古拉夫饰）讲述了他从贫穷村民成长为当代印度成功企业家的史诗般、欧阳充满黑色幽默的人生历程。我们年轻的主人公足智多谋而又雄心勃勃，欧阳设法成为了刚从美国回来的阿肖克（拉吉·库玛饰）和粉红夫人（朴雅卡·乔普拉饰）的司机。社会将巴尔朗训练成一名仆人，他便努力将自己打造成富有主人的得力帮手。但经过一夜之间的背叛，他意识到主人们会不择手段地陷害他以进行自救。在失去一切的边缘，巴尔朗决心反抗被操纵的人生和不平等的制度，奋起成为新型的主人。该影片改编自《纽约时报》畅销书和 2008 年曼布克奖获奖小说。
回复 :电影《警察也有家》是一部描写大山深 处普通干警精神生活的故事片。整部影片 讲述了普通警察耿爱民在平凡的工作岗位 上，为保护群众利益，恪尽职守、可歌可 泣的传奇经历，表现了他秉公执法、大公 无私、一心为民，最后以身殉职的高尚情 操。
侯湘婷
回复 :Pansori（朝鲜清唱）西便制歌者俞本（金明坤 饰）带着养女松华（Oh Jung-hae 吴贞海 饰）流浪荒野山村，与一寡母坠入爱河。为避他人口舌，俞本带着爱人、松华以及爱人的儿子东浩（Kim Kyu-chul 金古初 饰）远走他乡。颠沛流离的生活让寡母过早离开人世，俞本则将一腔心血投在一双儿女身上，立志将他们培养成出色的清唱歌手。受外来文化冲击，清唱这门艺术逐渐被世人所轻视。东浩无法忍受穷苦漂泊的生活，某日不辞而别。俞本则将养女的双眼毒瞎，渴望她专心技艺。多年后俞本去世，松华漂泊他乡，东浩则遵循姐姐的足迹，寻找生命中业已失去的快乐与幸福……
回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
