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地区:印度
  类型:动作
  时间:2025-08-09 04:51:14
剧情简介

支付Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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明星主演
谈芳兵
愉慧
葛洛丽娅艾丝特凡
最新评论(657+)

博比达林

发表于2分钟前

回复 :约翰、苏珊、提提和罗杰终于得到爸爸妈妈的同意,可以驾着燕子号小船,前往梦寐以求的湖中荒岛冒险了!在一个完全陌生的地方独立生存下来真是不容易,先是要给船找一个安全的停靠点,还要自己生火做饭,搭帐篷,抵御暴雨……但是这都让燕子号船员们兴奋不已。只是,湖中那个可疑的船屋和古怪凶悍的海盗究竟是什么来历,真是神秘莫测,让人担心。就在这时,他们却遭到两个女“海盗”——南希和佩吉的偷袭!她们是亚马逊号小船的主人。随即,一场小岛“争夺战”打响了!他们最终谁夺得了小岛?古怪凶悍的海盗是敌还是友?快随他们一起开始冒险旅程吧!


胡清蓝

发表于1分钟前

回复 :卧底警察何金水和上司包正锁定了一家叫新龙堂的养老院有大量黑帮人员聚集。为寻找线索,何金水应聘进入养老院当护工,目的是寻找出在养老院活动的老人们涉黑的线索,同时也发现女院长乔伊和黑帮老人们有千丝万缕的联系,并疑似在为黑帮老人们的犯罪计划提供保护伞。为了寻找真相,何金水渐渐深入调查发现事情并不简单……


梁文音

发表于1分钟前

回复 :阿格涅丝卡·霍兰([糜骨之壤])新片[江湖郎中](Charlatan,暂译)正式开拍,该片由伊凡·特洛伊(Ivan Trojan)、尤拉伊·娄伊(Juraj Loj)主演。影片故事根据草药医生Jan Mikolá?ek的真实故事改编,讲述尽管困难重重 ,他还是毕生致力于照料病人。该片计划于明年2月20日首映。


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