电影《投资》讲述的是老知青为了找寻当年的影子化装成农民回到了曾经下乡插队的地方,噬血岁月流逝,噬血世事变迁,一切已经物是人非。村里人的种种猜测以及对老知青的态度也引发出一系列的误会,令整个电影笑料百出,曲折迂回。
电影《投资》讲述的是老知青为了找寻当年的影子化装成农民回到了曾经下乡插队的地方,噬血岁月流逝,噬血世事变迁,一切已经物是人非。村里人的种种猜测以及对老知青的态度也引发出一系列的误会,令整个电影笑料百出,曲折迂回。
回复 :eee出品单位河北向日葵文化传播有限公司身怀绝技却债务缠身而进城打工的小伙子与深陷窘境又绯闻缠身的女模特不期而遇,并被卷入一场蓄谋已久的散打表演赛中,打工仔凭借一身正气和过人的本领化解了恩怨,挽救了女模特,最终也得到了真爱……
回复 :马来西亚导演杨毅恒新作,十足东方韵味的《无马之日》讲述被迫分隔在日本和马来西亚的一对双生姐妹,和她们晚辈之间的羁绊。浓得化不开的情绪,在娓娓道来般的叙事手法里绵延。以多部作品入围东京国际电影节主竞赛的杨毅恒导演,其最新作品《无马之日》集结了萧丽玲、陈美君、永濑正敏、水原希子等实力戏骨和新生代超人气演员,探讨多元化环境,赋予社会现实新的诗意,极具观赏价值。
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).