电影新锐导演村井俊男（柳忧凌 饰）埋首准备第一次的导演作品。在第八摄影棚，国产电影布景搭好了，国产黑川瞳（白岛靖代 饰）和新人村上沙织（石桥桂 饰）二位女演员正在试镜和彩排。某天晚上，工作人员正在试映室看试镜的带子，突然间影像重叠，出现了完全不同的画面。看似陈年老片的画面中出 现了 一位女演员，但是在画面后方隐约可见另一名女子站在那里。本以为这是用剩不合规格的底片，但实际上好像是未拍摄完成的电影所留下来的；村井对此十分在意，因为儿提时代他依悉曾在电视上看过......
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回复 :When his girlfriend Sasha and best friend Elias give hothead Richard a harpoon for his birthday, he wants to try this new toy out right away. So the three of them set out for a day trip on a boat, but suspicion and jealousy soon start to get the upper hand. Before long, the tension has become unbearable. To make matters worse, the boat’s engine fails and then it turns out they left their supplies on shore: a nerve-wracking struggle for survival ensues that spares no one’s secrets – or blood.This post-modern adaptation of a story by Edgar Allan Poe in which three shipwrecked sailors draw lots to see who has to sacrifice himself as a cannibalistic snack, is a bloodthirsty thriller that leaves sufficient space for laughs. It’s painfully obvious from (nautical) miles away that this triangular relationship is not going to end well.
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
回复 :台湾女作家许若卿（林心如 饰）为了与情人赵亦堂（吴镇宇 饰）生活在一起而迁居内地，临走前母亲（金燕玲 饰）给了她祖上留下来的老宅钥匙，于是若卿带着女儿小梦（张煜雯 饰）住进了传说中的凶宅——朝内81号。亦堂的妻子（夏文汐 饰）不肯离婚，加上他常因工作与秘书琉璃（莫小棋 饰）在一起，这让若卿心神不宁。诺大的宅子除了一名老佣人（袁祥仁 饰）便无他人，可是小梦却说自己常与一个红衣小姐姐玩耍，大胆的若卿想要一探究竟，却意外发现了宅子的尘封往事。原来这一切与老宅原来的主人霍家三兄弟息息相关，霍家三少爷霍连奇（杨佑宁 饰）一心想娶青楼头牌陆蝶玉为妻，陆蝶玉却阴差阳错与二少爷（李菁 饰）进行了冥婚，这一场闹剧直接导致了日后霍家的全面衰败……而现实中若卿愈发地感觉到了宅子的超自然力量。本片改编自民间传说的四大凶宅之首“朝内81号”的诡异故事。
