剧情简介
棒球运动员迈卡·马提亚斯和他年幼的儿子鲍比正在逃离残酷的媒体，沥青此前他们的妻子和母亲遭到了创伤性的、沥青悬而未决的谋杀。他们最终在俄亥俄州苏格克里克古色古香的阿米什人社区里，以一系列化名和一辆破旧的卡车结束了他们的生命。三个亚米希姐妹经营着一间农舍式的旧客栈，她们把米迦派去做杂工。这引发了苏格克里克一名名叫雷切尔·特罗勒的女警察的怀疑。她是三个孩子的侄女，在她小时候成为孤儿后抚养她长大的。真相会干扰爱情吗？
沥青之城
棒球运动员迈卡·马提亚斯和他年幼的儿子鲍比正在逃离残酷的媒体，沥青此前他们的妻子和母亲遭到了创伤性的、沥青悬而未决的谋杀。他们最终在俄亥俄州苏格克里克古色古香的阿米什人社区里，以一系列化名和一辆破旧的卡车结束了他们的生命。三个亚米希姐妹经营着一间农舍式的旧客栈，她们把米迦派去做杂工。这引发了苏格克里克一名名叫雷切尔·特罗勒的女警察的怀疑。她是三个孩子的侄女，在她小时候成为孤儿后抚养她长大的。真相会干扰爱情吗？
张含韵
回复 :种梦师们打造了一款全新的系列服务产品——“你也是演员”，让客户体验下做一回别人的样子。张小怡是一个完全没有表演天赋但自认为怀才不遇的“演员”，种梦师们用让张小怡获得了一次主要演员的机会，但是当她坐在监视器前面看到自己的表演时，才真正认清了自己以后的道路究竟是什么样……一个生气又无奈的女儿为了“治愈” 父亲的软弱，种梦师帮助他们设置了电影老炮的情节演绎，女儿终于体会了父亲的软弱是为了更好的照顾自己。田方的梦想是做一条能过江的“猛龙”，于是种梦师们为他打造了“正能量社会人”的演绎方案，田方体会到了社会中的冷暖情仇，走出梦境后决定踏踏实实做人。
郜晓晨
回复 :2012韩国剧情历史片《双面君王 》由秋昌旼导演，李秉宪主演，影片讲述的是：朝政混乱，形式紧张的朝鲜时代，位居权利最高点的朝鲜君王——光海（李秉宪 饰）虽然手握大权，但却依然无法摆脱派系间的斗争和被觊觎其权利的旁人“毒害”的危机。心思颇深的光海和其参谋大臣徐均（柳承龙 饰）在民间找到了和光海本人极其相似的平民——夏善来作为他的替身，替他阻挡那些来自四面八方的危机。和光海的性格南辕北辙的夏善是个心思单纯的普通老百姓，被推倒最前线的他不得不模仿光海的模样，作为他的傀儡。这样大的反差引起了皇后（韩孝珠 饰）的注意和困惑。随着时间的加深，光海和夏善，这两个既相似又完全不同的人展开了他们相互交集的人生。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.