剧情简介
《僵尸归来》以“人鬼虐恋，拉字群尸乍现”为主要题材，拉字惊悚/爱情剧情，影片主要讲述了清末马金苏（陈珂饰）为救玉儿小姐（朱佳希饰）遭奸人杀害，小姐为报恩决定“以身相许”，二十年后，危急之下，化为僵尸的马金苏依然选择了保护玉儿小姐，造物弄人，两人依旧经历了生离死别，几年后，爱情穿越了时空，两人又重新的相遇。
拉字至上第四季
《僵尸归来》以“人鬼虐恋，拉字群尸乍现”为主要题材，拉字惊悚/爱情剧情，影片主要讲述了清末马金苏（陈珂饰）为救玉儿小姐（朱佳希饰）遭奸人杀害，小姐为报恩决定“以身相许”，二十年后，危急之下，化为僵尸的马金苏依然选择了保护玉儿小姐，造物弄人，两人依旧经历了生离死别，几年后，爱情穿越了时空，两人又重新的相遇。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
回复 :一部难得的片子，通过毕加索的家人，前妻，画商，朋友的解读，我们才知，尽管毕加索的晚年作品濒临色情的边缘，但也让我们见识了什么是不顾一切狂野地表达自己突破绘画技巧！而为了悟透男人与女人，性欲与爱的关系，纪录片里会解密他是如何做的。毕加索一生都受性的诱惑，他在作品与生活中都全身心地享受性的乐趣。毕加索每次换个女人，也是每次换个标准，换个视觉，因为他要全部占有女人，直至她的视觉；这时他自己也换了个人。“标准”、“改变视觉”、“性的对话”、“性与心的转换”、“占有女人直至她的视觉”，这是毕加索的艺术中的性心理学的一条粉红色线。如果狄德罗知道了，会说这是极佳的心理临床学。因为他早在两个半世纪以前就说：“一切生物都是你中有我，我中有你……任何禽兽都多少是人，任何矿物都多少是植物，任何植物都多少是禽兽……人是什么?人是某类倾向的总和。”
回复 :一个普通人的故事，安德烈斯伊涅斯塔，曾经是巴塞罗那的F.C.球员，现在是维塞尔科比的球员，他做了非凡的事情。
