剧情简介
因为车祸使得李尚俊（李政宰 饰）失去了部分的记忆。当他看着一张曝光多度的照片时，死神傻会触动了记忆的最深处。那是一张女孩子的脸，死神傻他的潜意识告诉自己将有一段十分重要的记忆与这名女孩有关，于是他请旧同学江咏仪（张真英 饰）帮他寻找这段记忆。过程中两人感觉自己都回到了快乐的学生时代，那个女孩子应该是尚俊暗恋的对象。他们一步步了解了很多有关女孩的事，每次都以为真相就要面世了，却又再一次把结局添上神秘感。尚俊终于把自己失去八年的回忆找回来了，包括那一名情人……
死神傻了
因为车祸使得李尚俊（李政宰 饰）失去了部分的记忆。当他看着一张曝光多度的照片时，死神傻会触动了记忆的最深处。那是一张女孩子的脸，死神傻他的潜意识告诉自己将有一段十分重要的记忆与这名女孩有关，于是他请旧同学江咏仪（张真英 饰）帮他寻找这段记忆。过程中两人感觉自己都回到了快乐的学生时代，那个女孩子应该是尚俊暗恋的对象。他们一步步了解了很多有关女孩的事，每次都以为真相就要面世了，却又再一次把结局添上神秘感。尚俊终于把自己失去八年的回忆找回来了，包括那一名情人……
回复 :韦赫是太空科学家，妻子刚去逝，独自带着11岁的儿子比利往研究所进行新的科研工作。对于年轻的比利来说，父亲就是那种老套而沉闷的人。他想要的,却是多采而刺激的人生。机会来了，比利得到多尼博士的邀请，帮助太空总署进行黑猩猩首次上太空的训练任务。其中一只名叫麦克的黑猩猩，在比利的训练下，成为首只送往太空的黑猩猩。当一切的训练和计划均按步就班，成功在望。一夜，比利无意中发现有坏人正计划破坏快将举行的升空任务，比利和麦克决定联手出动。
回复 :快餐店打工仔阿银（周星驰）某日送快餐时邂逅正在武术训练馆学习日本空手道的阿丽（钟丽缇），对其一见钟情。遭遇同样喜欢阿缇的武馆教练林国斌的羞辱后，自觉太弱小的阿银决定拜自称为“魔鬼筋肉人”的达叔（吴孟达）为师，达叔一开始只想骗取阿银的钱财，终被其善良和执着打动，开始教授其中国古拳法。阿丽遇坏人拦截，阿银头戴加菲猫面具出手相救，情急之下从高台上抱着歹徒滚下，却由此创出了“无敌风火轮”，不料事后被林国斌领功。为了证实自己的实力，阿银报名参加了搏击比赛与林国斌决斗，想借此再赢阿丽芳心。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
