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青梅突然毁婚约，日本心上人竟被自己妹妹抢走，日本痴情女在心上人订婚礼上饮下毒酒后，却意外获得来自高维空间推移时间的能力，此刻她选择为爱而生，但必须与爱人接吻三次，才能真正获得重生......
日本理论片
青梅突然毁婚约，日本心上人竟被自己妹妹抢走，日本痴情女在心上人订婚礼上饮下毒酒后，却意外获得来自高维空间推移时间的能力，此刻她选择为爱而生，但必须与爱人接吻三次，才能真正获得重生......
回复 :第二部将拾起小拓(Midori Tamate)和欧(Adisorn Thanawanitch)俩人破碎的心。在道德与欲望之间，他们将如何抉择?两人的爱如此美好，周围的人却如此受伤。小拓与欧该如何面对困境?
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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