由美是一散着“美”的美人，亚洲到丈夫－宏太第一次的酒吧遇上着名摄像师Kenny！亚洲由美的另类美偶然吸引起Kenny的眼神…在Kenny的眼中，他不但拍了由美的引人身段更轻易的得到她的身体。然而Kenny是个生活散乱的人，由美只不是他在一夜情的其中一人。而由美的想法是除了丈夫以外， Kenny便是她唯一的男人！为了得到Kenny，由美引Kenny到墅中并把他囚禁，在Kenny打算逃走剪去他的脚趾以示戒！承受着身心的威胁，由美的关心同情。从此Kenny开始享受由美的特『性』侍候，亦甚至忘自己是被禁的人……
回复 :卡比尔（阿布依•多尔 Abhay Deol 饰），阿琼（赫里尼克•罗斯汉 Hrithik Roshan 饰），依姆兰（法拉汗•阿克塔尔 Farhan Akhtar 饰）是大学时期被誉为三个火枪手的好兄弟，大学毕业前约定要进行一次西班牙的公路旅行。因为各种原因与借口，这个计划拖延到了四年后卡比尔与娜塔莎（卡尔吉•柯伊切林 Kalki Koechlin 饰）结婚前夕，以卡比尔单身旅行为理由终于如愿以偿的实行。三个男人来到西班牙，挑战各自内心最惧怕的事物。怕水的阿琼学会了潜水，寻觅到了自己终身的爱人，潜水教练莱拉（卡特莉娜•卡芙 Katrina Kaif 饰）。在莱拉的影响下改变了以往金钱重于一切的观念，明白了自由和快乐的真谛。依姆兰挑战了自己恐高的极限去参加跳机训练，还如愿见到了自己的亲生父亲，并且鼓起勇气发表了自己的诗歌。而最后三人一起参加了奔牛节，在死亡的边缘挑战着内心的恐惧，而卡比尔也敢于面对自己对于结婚的犹豫。最终这次旅行让他们变得强大的去面对各自生活中事业，梦想，婚姻的抉择。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
杉籽伽
回复 :在SP中，吉高饰演的主人公·伦子在三年后还是单身，不过她依旧没有放弃，前作中和坂口健太郎饰演的金发帅哥KEY是否还有后续呢？荣仓奈奈饰演的香成为了人妻，大岛优子饰演的小雪则朝着自己的梦想继续前进，本剧描绘的就是这样的各种问题。
