支援桃源村诊所的儿科医生叶时蓝,春暖误认新任院长陆昭西是骗人钱财的药酒贩子,春暖对他百般刁难,二人因此结下梁子。机缘巧合下叶时蓝成了陆昭西的临时助理,在一起解决困难的过程中,彼此心生好感,陷入爱情。本剧通过描述叶时蓝与空降院长陆昭西相遇、相知、相爱的过程,讲述了生活习惯、家庭背景等都差异极大的两个人在合力解决诸多棘手问题的过程中彼此包容、彼此理解、共同成长充满逗趣的故事。
支援桃源村诊所的儿科医生叶时蓝,春暖误认新任院长陆昭西是骗人钱财的药酒贩子,春暖对他百般刁难,二人因此结下梁子。机缘巧合下叶时蓝成了陆昭西的临时助理,在一起解决困难的过程中,彼此心生好感,陷入爱情。本剧通过描述叶时蓝与空降院长陆昭西相遇、相知、相爱的过程,讲述了生活习惯、家庭背景等都差异极大的两个人在合力解决诸多棘手问题的过程中彼此包容、彼此理解、共同成长充满逗趣的故事。
回复 :北京老街玉雕艺人李天顺(任重饰)为保护一只寓意国运昌隆的翡翠石榴,在街坊们的鼎力协助下,与几个“朝代”的邪恶势力相抗争,经历了数不清的艰难曲折与灾难,甚至面临家破人亡。但他始终没有屈服后退。他相信邪不压正,相信国运昌隆那一天迟早会来。他用老街特有的坚韧与倔强,保护住了国宝,保护住了牛街的尊严。与此同时,无论京剧演员杨尚德(李进荣饰),李连璋(辛一饰);拉骆驼的丁广源,卖烤肉的马德山,还是古董商人金兆吉,礼拜寺里的满文奎,尤其是一介女流黄禾香等。面对一场又一场的国难,皆不失为艺之德;为商之道;为人之根本。展现出了千年牛街特有的历史文化底蕴。从老街走出去的共产党员丁毓岚最终回到了老街,她为老街人带来对未来的期盼与希望;为黎明前的老街点燃了一盏明灯。
回复 :正义与邪恶,警方、法律与犯罪,这永恒的主题借由法网群英众生相向我们展示开来。作为刑事检控科高级监控官的方志浩(吴启华 饰)是个极度有原则,对工作极度上进,因为曾经一起失误,让他更加不能坐视不管不公不义之事,被誉为未来法界的一把手。在和警方配合的调查中,智浩也越来越深陷其中;长年卧底杨伟森(吕颂贤 饰)几乎没有当过一天警察,在黑社会摸爬滚打的伟森,起初以为自己能够掌控一切,但随着卧底的深入,自己的身份愈发模糊,这让他彷徨和痛苦。而黑社会的总总纠纷和不知他身份的警察、检察官、律师等的压力,让伟森深陷迷潭。除此之外,警界、律师、法医等都是各类刑事案件的组成部分,各路人马纷纷登场,只为寻求真相。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?