远离大都会的武藤站，骑士迎来了一位美丽的女孩小岩麦子（堀北真希 饰）。麦子和在柏青哥打工的哥哥宪男（松田龙平 饰）同住在东京某公寓内，骑士她为了成为动画声优而努力打拼。此前不久，缺席许久的妈妈彩子（余贵美子 饰）突然出现在兄妹二人面前。宪男和麦子不满母亲当年抛弃他们的行径，对彩子态度十分冷淡，直到最后彩子因晚期癌症去世，麦子也感受不到丝毫的悲伤。因哥哥抽不出空，此次麦子带着母亲的骨灰回到武藤安葬。她的到来在当地引起不小的轰动，因为麦子的容貌和年轻时那个心怀歌唱梦想的彩子一模一样。女孩遽然到来，勾起了井本（温水洋一 饰）、春男（井口薫仁 饰）等人年轻时代的甜美回忆。因故在母亲家乡盘桓的这些日子里，麦子渐渐了解到了关于母亲许许多多鲜为人知的故事，她的心也泛起波澜……
回复 :When his increasingly depraved behavior spirals out of control, Marcus retreats to his family home along the New England coast. But instead of finding solace, Marcus is haunted by his darkest fears and deepest desires. Is he losing his mind or has something terrible burrowed deep within him? Incubating. Waiting until the climate is right. Marcus must fight to save his crumbling sanity and protect Lily, his beloved niece from a monster that lies in wait.
回复 :在这个经典的21世纪西方电影里，两国交界边境的治安警察与恶毒的墨西哥贩毒集团斗智斗勇。这部以人物为主导的电影以前所未有的方式引发了人们对目无法纪，法律秩序的崩溃以及是否应该以暴制暴这些问题的深度思考。
回复 :On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.Berlinale 2014
