剧情简介
在20世纪90年代的乌克兰，亚洲区影院一个绰号“犀牛”的年轻人从一个小偷开始，亚洲区影院很快在犯罪集团中步步高升。犀牛只知道权力和残酷，但没有什么可失去的了，他最终能找到救赎的机会吗？
亚洲一区二区欧美色妞影院
在20世纪90年代的乌克兰，亚洲区影院一个绰号“犀牛”的年轻人从一个小偷开始，亚洲区影院很快在犯罪集团中步步高升。犀牛只知道权力和残酷，但没有什么可失去的了，他最终能找到救赎的机会吗？
回复 :傍晚时分，暴雨封山。峻峰岭景区山顶，实习民警卫东带着三个没来得及下山的游客到客栈避雨。客栈里，除了女老板钱多多，情人彪子，还有两个刚刚入住的房客，跟女网友约会的摄影师欧阳，以及来见客户的保险推销员涂俊。夜里，钱多多的情人彪子在浴室中毒身亡，众人的慌乱和嫌隙让事件变的扑朔迷离，保险推销员涂俊和摄影师欧阳也接连遭遇横祸，离奇的连环杀人依旧在持续，让这家与外界完全隔绝的客栈变成了可怖的人间地狱，下一个将会是谁？人人自危，生者为求自保彻底疯狂，身为民警的卫东必须要控制住失控的局面，找出幕后真凶，保护活下来的人。事情的发展完全超出了卫东的想象，这个雨夜，惊悚恐怖的表象下，其实是一场精心布局的复仇…
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
殷志源
回复 :艾尔莎（雪莉·麦克雷恩ShirleyMacLaine饰）年岁已高，独自一人过着形单影只的生活。某日，一位名叫弗雷德（克里斯托弗·普卢默ChristopherPlummer饰）的老人搬到了她的隔壁，这位老人刚刚失去了他的妻子，正生活在阴云的笼罩之下。\r尽管艾尔莎和弗雷德完全是两种截然不同的人，但随着时间的推移，两颗衰老疲惫的心渐渐靠近，弗雷德在艾尔莎的陪伴下渐渐走出了悲痛，而艾尔莎亦因为弗雷德的存在而找到了生活的希望和意义。然而，一直以来，艾尔莎都隐瞒了一个秘密，她患有重病，时日无多，不仅如此，艾尔莎告诉弗雷德的那些过去，也大都是她编造而来。当弗雷德得知这一切的真相，他会做出怎样的选择呢？
