剧情简介
电影讲述喀麦隆旅游摄影爱好者尤克怀着对中国奇山异水的向往，组长来到中国四川，组长在旅游途中巧遇营山残疾村医侯方杰，他对奔波在山间小路的这位“风衣老人”产生了极大的兴趣，并逐渐被这个拄着拐杖的七旬乡村医生吸引，在对老中医精湛医术感到惊诧的同时，也产生了深深的敬意，后来拜侯方杰为师学医，发现了侯方杰救助留守儿童、空巢老人、贫困群众一个个感人故事。
组长女儿与照料专员
电影讲述喀麦隆旅游摄影爱好者尤克怀着对中国奇山异水的向往，组长来到中国四川，组长在旅游途中巧遇营山残疾村医侯方杰，他对奔波在山间小路的这位“风衣老人”产生了极大的兴趣，并逐渐被这个拄着拐杖的七旬乡村医生吸引，在对老中医精湛医术感到惊诧的同时，也产生了深深的敬意，后来拜侯方杰为师学医，发现了侯方杰救助留守儿童、空巢老人、贫困群众一个个感人故事。
黄星魁
回复 :电影《少年阿超》讲述香港小调皮学生阿超改正缺点、努力学习，成为模范好少年的故事。以娱乐的手法，表现了同学间的友谊和少年见义勇为的精神，是一部真正意义上寓教于乐的电影。
赵彰赫
回复 :性感的电视明星亲眼目睹了一桩谋杀案，两个联邦探员要把她带到很远的小屋保护她的安全.......
韩尤娜
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
